Reggae has a beat that calls to most of us. Perhaps it
would not have become as popular and cemented in
the music genre if Bob Marley
had failed to state his beliefs with persistence.
The beat pervades the atmosphere and sounds around the
world. Drummers surrounded by equipment, listeners using their hands and
lightly slapping desks, CEOs with toes tapping against floors and drivers using
their fingers against the steering wheel in the pattern feel the spirit of
reggae. A vigorous, intense rhythm in Reggae exemplifies that found in African
music, although missing from Asian and European music. Take the standard 4/4
beat and visualize the waltz. Steps 2 and 4 have backbeat flair. Step 3 packs a
punch with a kick. In the case of Reggae drummers, it is a kick to the bass
drum.
Bob Marley was just another young man in the Jamaican
ghetto who felt the music pouring forth from the radio. Tradition was in a
state of flux in the 1960s and 1970s and authority challenged by many young
people. Ska and rock steady inspired growth to the development of reggae and
its universal acceptance, but it took years to reach that pinnacle. If Marley
had been born even a decade earlier, a swift silence would have occurred.
Instead, his beliefs and practices were common to that of others in his age
group, a strong vocal concentration of world citizens embarked on a voyage
towards change.
The future of Jamaica and her citizens stirred the
creative caliber in Marley’s music. Political unrest received recognition
through the message of his music. Rock and roll, developing a culture of its
own, fit into his incredible talent in writing and performing music. Two albums
by Bob Marley and The Wailers pushed the group from local popularity to
international acknowledgment. Catch a
Fire, released in 1972, was quickly followed by Burnin’ in 1973, which included the song “I Shot the Sheriff.” Eric
Clapton recorded and released the song in 1974 resulting in a number one hit
and more focus on Marley. The band changed shortly after and his wife Rita
stepped in with her band to keep the music flowing. Natty
Dread, released in 1975, was the group’s first album to hit the US charts.
Believed by many to be his best album, Legend
defined rebellion mixed with hope, stressing the slower, yet insistent reggae
beat.
It was time to think of the value of human beings. Rather
than senseless killing, a plea for all to talk, discuss and think went forth.
Again, the use of marijuana, part of his religious beliefs as a Rastafarian,
was widely accepted among those in his generation. Whether or not it enhanced
his enlightenment is irrelevant. The fact is that he believed religion had an
important place in politics and interaction with one another. He was extremely
vocal about the need for Jamaican leaders to work towards a solid Jamaica, not
just their own desires. Weapons resolved conflict and he was aware of his own
danger because of his following. Much of his music described the hardship of
life under Jamaican politics. In an attempt to stop a concert scheduled to
follow a political rally in Kingston, an assassination attempt occurred
December 3, 1976 on Marley, Rita and the band mangers. Shot twice, Marley and
the band performed the concert on the scheduled date of December 5. Marley, his
family and the band left for England after the concert. His songs, such as “No
Woman, No Cry” and “Redemption Song” continued to remind the world that
political and cultural controversy still reigned around the world and in his
homeland.
In 1976, Rolling
Stone magazine honored Bob Marley & The Wailers as Band of the Year.
Marley received the Peace Medal of the Third World from the United Nations in
June 1978. February 1981 saw Marley receive Jamaica’s third highest honor, the
Jamaican Order of Merit. Gone too soon, Marley died at age 36 from cancer on
the way home to Jamaica, the homeland he loved and continued to urge forward to
a better life. One of his statements describes the purpose of his music, “Every
song is a sign.” In his eulogy May 21, 1981, Jamaican Prime Minister Edward
Seaga remarked on Marley being an experience. A tribute written by singer and
songwriter Robert Palmer in 1984 for Marley’s Rock and Roll Hall of Fame
induction recognized his musical legacy and social impact.